Kharkiv - Poltavskyi Shlyakh
This part of the city has stretched west of Proletarska Square and the Lopan river up to the detour motor road.
Up to the ХІХ century the street, just as well as the larger part of
At the turn of the XVIII and XIX centuries this city neighbourhood was given a regular pattern due to the architect P.
Yaroslavs’kyi’s contribution. The regular arrangement fundamentals were brought into accord with the established road directions, sophisticated relief, winding intricate outlines of theOur last tour is related to a number of peculiar streets and edifices, created in the course of a long period of time - from the country estate of the late ХVIII century up to stylish trade and storage facilities of the early ХХ century. Our attention is also attracted to the
Not very far away, in one of the cosy houses, the prominent artist Zinaida Serebryakova used to live and create her masterpieces throughout the stormy years of 1918-1919. And the world-renowned pianist V. Horowitz lived at 19 Dmitrievskaya Street on the ground floor of a big rental house built in Modernist style.
The tiny old houses, city gardens, as well as trade edifices of the early XX century, blending with the later buildings, bring about Kharkiv intrinsic distinctiveness.
In contrast to the upper part of the city, Poltavskyi Shlyakh admitted merchants and officials as settlers. With the railway station turned over for operation, hotels, shops, entertainment facilities and numerous
The types of the buildings, like in other Kharkiv neighbourhoods, varied very much - mansions, rental houses, offices, shops, performed in sundry architectural styles. The railway commissioning (1869) and the construction of the South Railway Station (1901) triggered off the intensified
The partially reconstructed
At the corner of the former Kuzynskyi Lane and Poltavskyi Shlyakh, a huge manor of the merchant Kuzin, a celebrated patron of artists and Maecenas, stands out due to its classical looks. The manor comprises three interconnected buildings. The first one was erected in the late XVIII century (architect P.
Further along Poltavskyi Shlakh, beyond the old two-storied buildings, is the Round City Garden - a hexahedral area on the territory of the former lake.
Prior to the Round City Garden, the northern side of the street used to feature the wooden building of the first Opera House in Kharkiv (it has not survived), the building of the former Brothers Rufers’ Russia Hotel and the oldest in the city Bommer Cinema House, to which the historical title was ascribed again.
At the confluence with Engels Street (we’ll talk about it further on), at 14 Poltavskyi Shlyakh, there stands a building crowned with the hipped roof of an elaborated form, with the corner bay window - the Moscow Hotel (architect V. Pokrovskyi, 1913); this is the construction that embodied the best traits of Kharkiv Modernist Style School.
Beyond the hotel, on the same side of the street, we can see the Children and Youth Regional Theatre that has been subject to repeated reconstructions.
Among the buildings encircling the Round City Garden southward, two edifices stand out: # 11, built in the Modernist style, and a two-storied house done in the Russian Classicism style (architect A. Ton) early in the XIX century.
On the southern side of the Round City Garden, two five-storied dwelling houses catch the eye: ## 22 and 22a, both performed in the Modernist style. They constitute a peculiar contrast. # 22 (architect V. Estrovych, 1914) is decorated in a restrained manner, while # 22a, (architect B. Korneyenko, 1910) is distinguished for its glamorous front decoration.
At the intersection with Yaroslavska Street one can see the remnants of the ensemble construction of the four corners dating to the first half of the XIX century. One of these buildings (at 30 Poltavskyi Shlyakh) for many years used to house a musical college, now B. Lyatoshynskyi Musical College, located at present at 1A Chervonoshkilna Naberezhna.
The destiny of this building, erected by an unknown designer, is very closely associated with the musical history of the city. In 1871 the ingenious conductor and piano teacher I.
Slatin, assisted by the composer A. Rubinstein’s, initiated the Kharkiv branch of the Russian Music Society with music classes, which were two years later transformed into a music college. The dignitary of this educational establishment was P. Chaikovskyi, who attended the students’ concert and presented his own portrait to the faculty. In the same year A. Rubinstein delivered a recital. I. Slatin organised a Symphony Orchestra in Kharkiv, invited renowned composers, conductors, performers, singers of that time. Here belong: A. Glazunov, A. Orenskyi, S. Rakhmaninov, A. Skryabin, F. Kreisler and others.On the northern and southern sides of the street there are several attractive buildings: the dwelling house in the Modernist style at # 46, and across from it - the building of the former Treugolnik (Triangle) Russian-American Rubber Producing Company, performed in eclectic forms.
Red Policeman Square, adjacent to Poltavskyi Shlyakh, on the southern side, displays a two-storied building of the former customs office and the Grikke
Closer to the Southern Railway Station, there is a row of interesting buildings. For instance,
Not far from it, in a small City Garden, there is a monument to the firemen who perished discharging their duties and during hostilities. It was executed by the sculptor M. Ovsyankin and the architect Yu. Shkodovskyi.
Across the street, at # 57 (the former trade centre, 1906), is the AVEC Company headquaters. The two-storied building with a garret is remarkable due to the peculiar form of the large windows-lucarnes.
This place enjoys a spectacular view on Kholodna Hora (The Cold Hill) where Poltavskyi Shlyakh runs onto. The sight is crowned by a
This site also affords one of the most breathtaking views of the downtown area.









