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Bundi, India
Chitrashala - One side of the gallery
Chitrashala - Figure in profile
Chitrashala - Figure in profile
Chitrashala - Map of Mathura
Chitrashala - Lord Krishna holding up Mount Govardhan
Chitrashala - Elephant and bull fighting

Chitrashala Bundi Reviews

Toonsarah Toonsarah
533 reviews
See the Bundi School of Art at its best Oct 30, 2015
A highlight of our tour of Bundi Palace was this, the last part that we visited, the Chitrashala or Painting Gallery, also known as the Ummed Mahal (named for Raja Rao Ummed Singh who added it in the 18th century). Unlike the rest of the palace it is run by the Indian government (under the Archaeological Survey of India) and is consequently somewhat better maintained.

The whole of this pavilion is covered with paintings and is fabulous! Bundi is one of the few cities in India to have developed its own unique painting style. The “Bundi School” lasted from the 17th to the end of the 19th century. The most popular themes were hunting and court scenes, festivals and processions, court life, romantic tales, animals and birds, and scenes from the life of Lord Krishna. It was influenced by Mughal and Mewar styles but was, our guide pointed out, unusual in depicting figures in profile – most Indian paintings of that time show them face forwards. Other distinctive features include lively movement, dramatic skies and a unique way of depicting water with light swirls against a dark background

The examples of Bundi School paintings here in the Chitrashala, which date from 1773 to 1821, are considered to be among the best. They are painted to a consistent colour scheme – green for backgrounds, white for human bodies and red, blue, black and yellow for traditional dresses. Every surface is covered, including the ceiling. Our guide pointed out some of the most interesting paintings, some of which I photographed.

In the first an elephant and bull are fighting but the artist has very cleverly painted a single head which serves as that of both animals (you may need to blow up the photo to appreciate the effect).

In the second Lord Krishna is holding up Mount Govardhan and using it as an umbrella to protect the earth from the storms raging overhead caused by Indra, the god of thunder and rain. His defeat of Indra is celebrated in the Govardhan Puja festival, the day after Diwali.

The third shows a sort of map of Lord Krishna’s birthplace, Mathura (we were to pass through here a couple of days later on the train from Sawai Madhopur to Delhi)

Others are examples of the figures depicted in profile.

I found more information about the Bundi School on this website [], from which I have copied the following extract:

“Colourful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna's life story. Also, courtly luxuriance and prosperity have been exhibited, major themes being young princesses looking into a mirror, plucking flowers and playing musical instruments. Graceful, well-proportioned bodies and sharp features bring out the elegance of the female figure. The gestures of the subjects of the paintings express more than their looks.

A study of the paintings revealed that the painters were masters of their brush strokes and the chiaroscuro of light and shade. The lines are mainly serpentine and circular in character. They were developed to capture complex and intense emotions. The deep brush marks add life to the clouds, trees, cascades, lotus flowers and flowing streams in the paintings. There is use of characteristic shades of blue, green and maroon reflecting the verdant greenery of the region, while bright colours are seen in the borders with red prominently appearing in the background. These paintings are made in gouache, an opaque watercolour that requires less preparation than oil. From a local Bundi artist we learnt that the colours used by the artists of miniatures were made from minerals, vegetables, precious stones, indigo, conch shells, pure gold and silver. The preparation and mixing of colour was an elaborate process and took weeks, sometimes months, to get the desired results. Very fine, specially created brushes were made for different kinds of paintings.”
Elephant and bull fighting
Lord Krishna holding up Mount Gova…
Map of Mathura
Figure in profile
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photo by: chrisrae